Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Bergognone
Peter the Martyr with a Kneeling Donor (mk05)

ID: 20064

Bergognone Peter the Martyr with a Kneeling Donor (mk05)
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Bergognone Peter the Martyr with a Kneeling Donor (mk05)


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Bergognone

active in Milan 1481-1522  Related Paintings of Bergognone :. | The Virgin and Child Enthroned with Saint Catherine of Alexandria and Saint Catherine of Siena | Augustiue with a Kneeling Donor (mk05) | The Mystic Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena | Peter the Martyr with a Kneeling Donor (mk05) | The Virgin and Child |
Related Artists:
Gian Emilio Malerba
(1880 -1926 ) - Painter
Giovanni di Francesco
Italian Early Renaissance Painter, 1412-1459
Maris, Jacob
Dutch, 1837-1899 was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. Maris studied at the Antwerp Academy, and subsequently in Hubertus van Hove's studio during a stay in Paris from 1865 till 1871. He returned to Holland when the Franco-Prussian War broke out, and died there in August 1899. Though he painted, especially in early life, domestic scenes and interiors invested with deeply sympathetic feeling, it is as a landscape painter that Maris excelled. He was the painter of bridges and windmills, of old quays, massive towers, and level banks; even more was he the painter of water, and misty skies, and chasing clouds. In all his works, whether in water or oil color, and in his etchings, the subject is always subordinate to the effect. His art is suggestive rather than decorative, and his force does not seem to depend on any preconceived method, such as a synthetical treatment of form or gradations of tone. And yet, though his means appear so simple, the artist's mind seems to communicate with the spectator's by directness of pictorial instinct, and we have only to observe the admirable balance of composition and truthful perspective to understand the sure knowledge of his business that underlies such purely impressionist handling. Maris has shown all that is gravest or brightest in the landscape of Holland, all that is heaviest or clearest in its atmosphere for instance, in the " Grey Tower, Old Amsterdam," in the " Landscape near Dordrecht," in the " Sea-weed Carts, Scheven-ingen," in " A Village Scene," and in the numerous other pictures which have been exhibited in the Royal Academy, London, in Edinburgh (1885), Paris, Brussels






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